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The Andrew Scott Quartet, Jazz, Swing Jazz Bebop & Blues

As a musician, writer, journalist and arts educator, Andrew Scott’s work has impacted many aspects of the creative arts and culture space in Canada and beyond for more than three decades.

A jazz guitarist, Andrew has worked as an in-demand side person, led his own bands with a focus on classic jazz repertoire, and performed and recorded with such musicians as Bernie Senensky, Dan Block, Harry Allen, Grant Stewart, Ben Paterson, Randy Sandke, and Jon-Erik Kellso for such labels as Cellar Live, Marshmallow, and Sackville Records.

The Band:

Andrew Scott – Guitar

 

 

As a musician, writer, journalist, and arts educator, Andrew Scott’s work has impacted many aspects of the creative arts and culture space in Canada and beyond for more than three decades.

A jazz guitarist, Andrew has worked as an in-demand side person, led his own bands with a focus on classic jazz repertoire, and performed and recorded with such musicians as Bernie Senensky, Dan Block, Harry Allen, Grant Stewart, Jim Clayton (The Clayton/Scott Group), Ben Paterson, Randy Sandke, and Jon-Erik Kellso for such labels as Cellar Live, Marshmallow, Boomtang, and Sackville Records.

His latest album, Horizon Song with Kelsley Grant, Amanda Tosoff, Neil Swainson, and Order of Canada winner Terry Clarke was released on Cellar Live records in 2024.

Andrew has committed himself to learning from the elders of this music and has enjoyed meaningful musical relationships with the late drummer Archie Alleyne—for whom he worked as side musician, music director of Alleyne’s Evolution of Jazz Ensemble, and co-composer of “Syncopation: Life in the Key of Black”—and the nonagenarian pianist Gene DiNovi, with whom Andrew has recorded three albums.

Andrew’s music has been heard internationally in film and television (“Pretend We’re Kissing,” “Once a Thief,” CBC’s “The Border” and “Kim’s Convenience”), and his writing about music has appeared in Downbeat Magazine, Wax Poetics, CODA (where he was the final Managing Editor), Jazz Research Journal, the Humber Literary Review, the Journal of Popular Music Studies, and in more than one hundred sets of jazz liner notes.

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